{"id":10642,"date":"2015-07-23T13:29:39","date_gmt":"2015-07-23T13:29:39","guid":{"rendered":"http:\/\/qatar-news.org\/qatarnewsEn\/?p=10642"},"modified":"2015-07-23T13:29:39","modified_gmt":"2015-07-23T13:29:39","slug":"playing-the-armenian-diaspora-in-la","status":"publish","type":"post","link":"https:\/\/qatar-news.org\/qatarnewsEn\/?p=10642","title":{"rendered":"Playing the Armenian diaspora in LA"},"content":{"rendered":"<p>America\u2019s immigrant communities have long provided Hollywood with convenient settings for movies about criminality and gang culture. Blockbusters like \u201cThe Godfather\u201d (1972), \u201cGoodfellas\u201d (1990), \u201cRoad to Perdition\u201d (2002) and \u201cGangs of New York\u201d (2002) have glamorized and informed stereotypes of Italian- and Irish-American gangsters. Other migrant communities are relatively new to the big screen.<\/p>\n<p>\u201cAram, Aram,\u201d the feature film debut of U.S. writer-director Christopher Chambers, prides itself on being the first American feature to be set in the Armenian emigrant community. The first feature set among America\u2019s Armenian expat community is probably Nigol Bezjian\u2019s \u201cChickpeas,\u201d from 1992, starring Arsin\u00e9e Khanjian.<\/p>\n<p>Chambers\u2019 movie, which premiered at this year\u2019s<a class=\"entityAnchor\"> Los Angeles<\/a> Film Festival, follows the challenges faced by<a class=\"entityAnchor\"> Aram<\/a> (John Roohinian), a Lebanese-born Armenian boy. When his parents are killed in a car accident, he\u2019s compelled to move to Los Angeles to live with his grandfather Arsen (Levon Sharafyan).<\/p>\n<p>\u201cAram, Aram\u201d depicts a neighborhood torn between Armenian and Mexican gangs. Using English and Armenian in developing a believable cast of characters, it delves deep into the roots, traditions and behavior of LA\u2019s Armenian diaspora. Unlike Hollywood\u2019s earlier immigrant films, it provides an authentic-looking portrayal of a migrant experience.<\/p>\n<p>The film opens with a depiction of Aram\u2019s idyllic childhood in Burj Hammoud, Beirut\u2019s Armenian quarter. Shots of a beaming Aram and his loving parents employ a dream-like aesthetic, with soft focus and reverberation. His happiness seems too good to be true, and serves to foreshadow the bad things to come.<\/p>\n<p>By the time Aram arrives in LA, he is shy and reserved, seemingly an entirely different character. Uprooted, he must now adjust to his new life in the United States.<\/p>\n<p>During a recent trip to Beirut en route to a screening of \u201cAram, Aram\u201d at Yerevan\u2019s Golden Apricot International Film Festival, Roohinian spoke with The Daily Star about growing up Armenian in LA.<\/p>\n<p>Like the character he depicts, Roohinian is Lebanese-Armenian, though his family history is less tragic than Aram\u2019s. He was born in Los Angeles, his mother having moved to the U.S. during Lebanon\u2019s Civil War.<\/p>\n<p>As his family doesn\u2019t live in one of LA\u2019s Armenian enclaves, most of his peers haven\u2019t heard of Armenia. He said he often feels the need to educate them. \u201cI feel it\u2019s my responsibility to tell them [about Armenia],\u201d he said. \u201cI show them some pictures from the Internet, but it never shows how deep our culture goes in terms of knowing all these old recipes from all these old grandmas and grandpas. Their first question is always, \u2018So what do you guys eat?\u2019\u201d<\/p>\n<p>Though LA is home to one of the world\u2019s largest Armenian communities, most outsiders know very little about it. In a press statement, Chambers describes LA\u2019s Armenians as \u201cwidely stereotyped and widely misunderstood,\u201d which sparked his interest and drove him to make the movie.<\/p>\n<p>Chambers threw himself into research, relying on interviews with American-Armenians to ensure the film\u2019s authenticity. This attention to detail makes \u201cAram, Aram\u201d a well-woven-together tapestry of tradition and culture. The score mingles tunes by iconic Armenian composer<a class=\"entityAnchor\"> Arno Babajanian<\/a> with the rap of a number of Armenian hip-hop artists.<\/p>\n<p>The characters speak different (eastern and western Armenian) dialects, which adds another layer of complexity, undermining assumptions that the Armenian community is somehow monolithic.<\/p>\n<p>Roohinian said Chambers also drew upon the insights of his all-Armenian cast. Levon Sharafyan, who plays Aram\u2019s grandfather, is a television and film icon and household name in Armenian circles.<\/p>\n<p>\u201c[Chambers] would give us the script and say if there\u2019s anything you think needs to be changed because it\u2019s not authentic or if there\u2019s something you think your character wouldn\u2019t do, then we can talk about it,\u201d Roohinian said. \u201cHe was very open to changing the script, and he actually listened and cared what you said.\u201d<\/p>\n<p>Roohinian says he\u2019s been acting since the age of 5 but \u201cAram, Aram\u201d is his first feature film. He said he found the role hard at times.<\/p>\n<p>\u201cThe role in general was easy but there were scenes I found difficult because I was 12 years old at the time,\u201d he said. \u201cA lot of days before I would go to the set I\u2019d get upset and tell my dad, \u2018I don\u2019t want to go. I can\u2019t do this. I\u2019m done.\u2019 He\u2019d say, \u2018Come on, you have to go.\u2019\u201d<\/p>\n<p>Early scenes of Aram\u2019s new life in LA reveal glimpses of mounting pressure. When events take a turn for the worst, however, Aram\u2019s grandfather doesn\u2019t seek to defend himself or rectify anything. Instead he waits for things to blow over.<\/p>\n<p>This attitude contrasts sharply with that of the young Armenian gangster Hakop (Sevak Hakoyan), who tackles problems head on. The polarity in their behavior seems to shed light on a generational difference among Armenians \u2013 the older generation, who have a more immediate memory of past injustices, tend to avoid conflict.<\/p>\n<p>Old Arsen\u2019s feelings of powerlessness sometimes stem from the grief he feels at having lost his only daughter. For his part, the newly orphaned Aram is more susceptible to the temptations and charms of the charismatic gangster Hakop.<\/p>\n<p>Chambers sees his film as a universal story of a \u201cchild\u2019s fundamental need for a father figure.\u201d As Hakop drives his Mercedes around the neighborhood, Aram watches in admiration, later mimicking the way Hakop flicks his car keys across his fingers over and over.<\/p>\n<p>Many films that tell stories of the criminality of ethnic gangs spend little time exploring the cultures in which the gangsters grow up. Their heartless, violent characters not only lack credibility, they perpetuate negative stereotypes and misrepresent communities.<\/p>\n<p>\u201cAram, Aram\u201d is by no means a comprehensive portrayal of the entire Armenian diaspora in LA, Roohinian said, but it does accurately portray the complexity of a specific cross-section. \u201cUp to now America has only seen [Armenian] stories about the genocide,\u201d he added. \u201cThis [film] shows a different side.\u201d<\/p>\n<p>Since filming \u201cAram, Aram,\u201d Roohinian says he\u2019s wrapped a second feature and is soon starting his third. He said he intends to obtain a college degree nevertheless, in case his filmmaking career doesn\u2019t work out.<\/p>\n<p>\u201cActing is my passion,\u201d he concluded. \u201cIt\u2019s what I love to do.\u201d<\/p>\n<p>dailystar<\/p>\n","protected":false},"excerpt":{"rendered":"<p>America\u2019s immigrant communities have long provided Hollywood with convenient settings for movies about criminality and gang culture. Blockbusters like \u201cThe Godfather\u201d (1972), \u201cGoodfellas\u201d (1990), \u201cRoad to Perdition\u201d (2002) and \u201cGangs of New York\u201d (2002) have glamorized and informed stereotypes of Italian- and Irish-American gangsters. Other migrant communities are relatively new to the big screen. \u201cAram, [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":10643,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-10642","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture_news"],"_links":{"self":[{"href":"https:\/\/qatar-news.org\/qatarnewsEn\/index.php?rest_route=\/wp\/v2\/posts\/10642","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/qatar-news.org\/qatarnewsEn\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/qatar-news.org\/qatarnewsEn\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/qatar-news.org\/qatarnewsEn\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/qatar-news.org\/qatarnewsEn\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10642"}],"version-history":[{"count":0,"href":"https:\/\/qatar-news.org\/qatarnewsEn\/index.php?rest_route=\/wp\/v2\/posts\/10642\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/qatar-news.org\/qatarnewsEn\/index.php?rest_route=\/wp\/v2\/media\/10643"}],"wp:attachment":[{"href":"https:\/\/qatar-news.org\/qatarnewsEn\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/qatar-news.org\/qatarnewsEn\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10642"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/qatar-news.org\/qatarnewsEn\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}